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The architecture of Ostia
The architecture of Ostia - A history of architectural maestros of the 20th century as evidenced by the urban expansion of Ostia. Anedoctes, photographsand personages of the Roman seaside

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The architecture of Ostia (Umberto Calabrese)
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The first symbols of Ostia: the bathing establishment "Roma" and the "Regina Pacis" church

...«With the "Roma" establishment, Milani was innovative, if not from the architectural perspective, certainly from the construction standpoint. The techniques and materials used made "Roma" the first bathing establishment built in nude reinforced concrete, without plaster which would have deteriorated with the salt air, an optimal solution and in the vanguard at the time of the project (1923-24).

The first stone was laid on August 10, 1924 concurrently with the opening of the Rome-Ostia railroad. "Roma" commenced activity on July 1, 1925 with only the ground floor; the work was completed in 1927.

The island thus created facing the shore was immediately frequented by the aristocracy and the rich bourgeois of the era.


The structure included a restaurant on the ground floor with a diameter of 24 meters and a combination dance hall/gymnasium on the first floor with a diameter of il 11.5 meters, connected to the beach by means of a long walkway (62 meters long and 6.5 meters wide). The "Roma" rotunda was not an absolute novelty for the Roman coast, but it was certainly the most noticeable.»...

...«In his design Magni takes inspiration from churches of the late Renaissance so that the rotation of the central axis forms symmetrical planes in all directions, also the exterior which makes the paln easily read.

The coat of arms of Pope Pius XI surmounts the entrace door. The lateral and legible body of the rest of the building reminds us of the characteristics of monasteries.

In addition to reinforced concrete, the materials used were travertine and bricks. The church was intended to be a votive temple, dedicated to the Queen of Peace in order that the conflict of World War I could be ended.

A visual dialogue started up between the cupola designed by Milani for the "Roma" estabilishment and the cupola which Magni designed for the "Regina Pacis" church, evidencing the bond which united and still unites Ostia to its sea.»

 


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